I believe that where there is pure and active love for the poor there is God also. I see God in every thread that I draw on the spinning wheel. (Young India,20-5-1926)
The spinning wheel represents to me the hope of the masses. The masses lost their freedom, such as it was, with the loss of the Charkha. The Charkha supplemented the agriculture of the villagers and gave it dignity. It was the friend and the solace of the widow. It kept the villagers from idleness. For the Charkha included all the anterior and posterior industries- ginning, carding, warping, sizing, dyeing and weaving. These in their turn kept the village carpenter and the blacksmith busy. The Charkha enabled the seven hundred thousand villages to become self contained. With the exit of Charkha went the other village industries, such as the oil press. Nothing took the place of these industries. Therefore the villagers were drained of their varied occupations and their creative talent and what little wealth these bought them. The industrialized countries of the West were exploiting other nations. India is herself an exploited country. Hence, if the villagers are to come into their own, the most natural thing that suggests itself is the revival of the Charkha and all it means )
Khadi is the sun of the village solar system. The planets are the various industries which can support khadi in return for the heat and the sustenance they derive from it. Without it other industries cannot grow. But during my last tour I discovered that, without the revival of other industries, khadi could not make further progress. For villagers to be able to occupy their spare time profitably, the village must be touched at all points.
I claim that in losing the spinning wheel we lost our left lung. We are therefore suffering from galloping consumption. The restoration of the wheel arrests the progress of the fell disease. There are certain things which all must do in certain climes... The spinning wheel is the thing which all must turn in the Indian clime for the transition stage at any rate and the vast majority must for all time.
(Young India, 13-10-1921)
The wearer of Khadi from a Swadeshi standpoint is like a man making use of his lungs. A natural and obligatory act has got to be performed, whether others do it out of impure motives or refrain altogether because they do not believe in its necessity or utility.
Charkha is the symbol of the nation's prosperity and therefore freedom. It is a symbol not of commercial war but of commercial peace. It bears not a message of ill-will towards the nations of the earth but of goodwill and self-help. It will not need the protection of a navy threatening a world's peace and exploiting its resources, but it needs the religious determination of millions to spin their yarn in their own homes as today they cook their food in their own homes. I may deserve the curse of posterity for many mistakes of omission and commission, but I am confident of earning its blessings for suggesting a revival of the Charkha. I stake my all on it. For every revolution of the wheel spins peace, goodwill and love. And with all that, inasmuch as the loss of it brought about India's slavery, its voluntary revival with all its implications must mean India's freedom.
If we have the 'khadi spirit' in us, we would surround ourselves with simplicity in every walk of life. The 'khadi spirit' means illimitable patience. For those who know anything about the production of khadi know how patiently the spinners and the weavers have to toil at their trade, and even so must we have patience while we are spinning 'the thread of Swaraj'. The 'khadi spirit' means also an equally illimitable faith. Even as the spinner toiling away at the yarn he spins by itself small enough, put in the aggregate, would be enough to clothe every human being in India, so must we have illimitable faith in truth and non-violence ultimately conquering every obstacle in our way. The 'khadi spirit' means fellow-feeling with every human being on earth. It means a complete renunciation of everything that is likely to harm our fellow creatures, and if we but cultivate that spirit amongst the millions of our countrymen, what a land this India of ours would be! And the more I move about the country and the more I see the things for myself, the richer, the stronger is my faith growing in the capacity of the spinning wheel.
(Young India, 22- 9-1927)
Khadi is only seemingly expensive. I have pointed out that it is wrong to compare khadi with other cloth by comparing the prices of given lengths. The inexpensiveness of khadi consists in the revolution of one's taste. The wearing of khadi replaces the conventional idea of wearing clothes for ornament by that of wearing them for use.
(Young India, 7-8-1924)
Khadi stands for simplicity, not shoddiness. It sits well on the shoulders of the poor, and it can be made, as it was made in the days of the yore, to adorn the bodies of the richest and the most artistic men and women. It is reviving ancient art and crafts. It does not seek to destroy all machinery but it dies regulate its use and check its weedy growth. It uses machinery for the service of the poorest in their own cottages. The wheel is itself an exquisite piece of machinery. Khadi delivers the poor from the bonds of the rich and creates a moral and spiritual bond between the classes and the masses. It restores to the poor somewhat of what the rich have taken from them.
(Young India, 17-3-1927)
The mission of khadi is not merely to supply the townspeople with fashionable khadi that will vie with the mill manufacturers and thus like other industries supply a few artisans with employment, but it is to become a supplementary industry to agriculture. This mission still remains unfulfilled. In order that it may fulfill this mission, it has to be self-sustained and its use must spread in the villages. Just as the villagers cook their own roti or rice, so must they make their own khadi for personal use. The surplus, if any, they may sell. (Harijan, 6-7-1935)
A country remains poor in wealth, both materially and intellectually, if it does not develop its handicrafts and its industries and lives a lazy parasitic life by importing all the manufactured articles from outside. There was a time when we manufactured almost all we wanted. The process is now reversed, and we are dependent upon the outside world for most manufactured goods. The past year brought forth a remarkable awakening of the Swadeshi spirit. It has therefore become necessary to define Swadeshi goods. But in giving a definition care had to be taken not to make the definition so narrow as to make manufacture all but impossible or so wide as to become farcical and Swadeshi only in name. We do not want to follow the frog-in-the-well policy, nor in seeming to be international, lose our roots. We cannot be international, if we lose our individuality, i. e., nationality.
(Young India, 20-8-1931)
It is not enough to say that hand-spinning is one of the industries to be revived. It is necessary to insist that it is the central industry that must engage our attention if we are to re-establish the village home.
It is my claim that as soon as we have completed the boycott of foreign cloth we shall have evolved so far that we shall necessarily give up the present absurdities and remodel national life in keeping with the ideal of simplicity and domesticity implanted in the bosom of the masses. We will not then be dragged into an imperialism which is built upon exploitation of the weaker races of the earth, and the acceptance of a giddy materialistic civilization protected by naval and air forces that have made peaceful living almost impossible. On the contrary we shall then refine that imperialism into a commonwealth of nations which will combine, if they do, for the purpose of giving their best to the world and of protecting, not by brute force but by self -suffering, the weaker nations or races of he earth. Non-cooperation aims at nothing less than this revolution in the thought world. Such a transformation can come only after the complete success of the spinning wheel. India can become fit for delivering such a message, when she has become proof against temptation and therefore attacks from outside, by becoming self-contained regarding two of her chief needs-food and clothing.
(Young India, 29-6-1921)
Economics that hurt the moral well-being of an individual or a nation are immoral and therefore sinful. Thus the economics that permit one country to prey upon another are immoral. It is sinful to buy and use articles made by sweated labour. It is sinful to eat American wheat and let my neighbour the grain-dealer starve for want of custom.
(Young India, 13-10-1921)
I feel convinced that the revival of hand-spinning and hand weaving will make the largest contribution to the economic and the moral regeneration of India. The millions must have a simple industry to supplement agriculture. Spinning was the cottage industry years ago, and if the millions are to be saved from starvation, they must be enabled to reintroduce spinning in their homes and every village must repossess its own weaver.
There is an art that kills and an art that gives life. The fine fabric that we import from the west or the Far East has literally killed millions of our brothers and sisters, and delivered thousands of our dear sisters to a life of shame. True art must be evidence of happiness, contentment and purity of its authors. And if you will have such art revived in our midst, the use of khadi is obligatory on the best of you at the present moment.
India's destiny lies not along the bloody way of the west, of which she shows signs of tiredness, but along the bloodless way of peace that comes from a simple and godly life. India is in danger of losing her soul. She cannot lose it and live. She must not, therefore, lazily and helplessly say, 'I cannot escape the onrush from the west.' She must be strong enough to resist it for her own sake and that of the world.
"Do spin and spin after due deliberation. Let those who spin wear khaddar and let no one who wears (khadi) fail to spin. 'Due deliberation' means realization that charkha or act of spinning is the symbol of non-violence. Ponder; it will be self-evident."